Find your program at the UW-Madison Art Department

Expand your perspective and connect with your classmates, your community, and the world around you!
UNDERGRADUATE PROGRAMGRADUATE PROGRAM

Find your program at the UW-Madison Art Department

Expand your perspective and connect with your classmates, your community, and the world around you!
UNDERGRADUATE PROGRAMGRADUATE PROGRAM

The University of Wisconsin-Madison occupies ancestral Ho-Chunk land, called Teejop (day-JOPE) since time immemorial. In an 1832 treaty, the Ho-Chunk were forced to cede this territory. Decades of ethnic cleansing followed when both the federal and state government repeatedly, but unsuccessfully, sought to forcibly remove the Ho-Chunk from Wisconsin.

This history of colonization informs our shared future of collaboration and innovation. We respect the inherent sovereignty of the Ho-Chunk Nation, along with the eleven other First Nations of Wisconsin.

UW Art in the News

Read more >>

Announcing the Chazen Museum of Art 2024 Russell and Paula Panczenko Master of Fine Arts Prize winner Cat Birk

For Immediate Release – February 20, 2024

The Chazen Museum of Art and UW–Madison Art Department are pleased to announce the Chazen Museum of Art 2024 Russell and Paula Panczenko Master of Fine Arts Prize winner University of Wisconsin-Madison Graduate Student Cat Birk!

Awarded to one graduating MFA candidate from the University of Wisconsin-Madison, the annual Chazen Prize exhibition prize is offered in collaboration with the Art Department and judged by an outside visiting curator. Chief curator and director of exhibitions at the Wexner Center for the Arts of Columbus, Ohio, Kelly Kivland, selected this year’s recipient. The prizewinner’s MFA thesis exhibition is shown at The Chazen Museum of Art, and the prizewinner receives a stipend to assist with their thesis production, provided by the Chazen Museum.

As an artist with a studio practice deeply invested in visual culture, I find relatable images in many places: thrift stores, gender-affirming care, romantic encounters, and horse girl memes. Seeing myself in them expands the web of relationships that forms my identity. These relationships are a source of strength and comfort. I coat the surface of my body with these images like a protective membrane: they become my emotional support images.

I am interested in how encounters with images and objects serve as conduits for processes of identity formation and the creation of trans4trans (t4t) networks. Locating, identifying with, and transforming these images has played an important part in forming my own transgender identity. In these encounters, I expand my sense of self by identifying with something outside of myself. Entangling self and other in this way highlights the co-constitutive nature of individual and collective identity.

This exhibition creates a t4t grid installation composed of paintings, silicone surfaces, and sculptural objects. Focusing on the repetition of the grid and the casting process, I create relationships between multiples. By highlighting the intimacy and reciprocity of these processes, I recontextualize the fraught relationship between copy and original to decouple notions of originality and authenticity using t4t as a non-hierarchical methodology.

t4t describes desire and attraction, but also trans practices of mutual aid, care, and solidarity. It is intimate, fluid, and malleable. My paintings engage with t4t as a relational praxis that resists the reproduction of fixed identity categories and relational structures. Understanding the affective relationships between image (other) and identity (self), I recast the individual process of identity formation as a collective act of becoming that is necessary for trans flourishing. Weaving webs between image, self, and community, this exhibition builds an emotional support t4t network out of my emotional support images.

—Cat Birk [MFA ’24]

Cat Birk (b. 1994, they/them) is a painter and researcher based in Madison, Wisconsin. Their interdisciplinary practice brings transgender studies, queer theory, and critical theory into the expanded field of painting. Cat is a third-year MFA candidate in the art department at the University of Wisconsin–Madison (expected 2024). They earned BAs in studio art and art history from the College of Charleston (2016). Cat has exhibited in groups shows nationally, including the Halsey Institute (Charleston, South Carolina), GHOST Art Project (Omaha, Nebraska), Redux Contemporary Art Center (Charleston, South Carolina), and at Trout Museum of Art (Appleton, Wisconsin).

Birk’s MFA thesis exhibition My mother is a horse will be shown at the Chazen Museum of Art from April 15th to July 14th, with the reception opening on Wednesday, April 24th, 2024.

Spring 2024 Visiting Artist Colloquium

Come visit the University of Wisconsin-Madison Art Department!

Tours are now available by appointment, view our upcoming Art Department events for prospective students at Visit Bucky: apps.admissions.wisc.edu/visitbucky/

Carefully read the event information and COVID-19 Safety Protocols and Campus Visitor Agreement before your visit.

Arts at UW

Did you know?

The UW-Madison Art Department is:

  • #1 in Printmaking
  • Ranked among the top 15 Fine Arts MFA programs
  • Founded the 1st collegiate Glass program in the U.S.
  • 1 of only 5 universities in the nation with a Neon program

Ranking Source: U.S. News & World Report


The University of Wisconsin-Madison ART DEPARTMENT is committed to teaching art in the context of a major research university and a vibrant intellectual community. Offering the following degrees: B.S., B.F.A., M.A., & M.F.A. in Studio Art, B.S. in Art Education, Certificate in Art Studio, and Certificate in Graphic Design.

Take a 720° virtual tour of the Art Department