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  • About
    • Overview
    • Locations, Hours & Tours
    • Facilities
    • Connect with Art
  • Programs
    • Undergraduate
    • Graduate
    • Colloquium
    • Online Courses
    • K-12 School Programs
    • Special Students
    • Studio Arts Program Viewbook
  • Disciplines
    • Graphic Design
    • Printmaking, Book Art & Paper
    • Photography
    • Drawing & Painting
    • 4D/Digital Media & Video
    • Contemporary 3D Practices
    • Foundations
    • Art Education
    • Social Practices & Community Engagement
    • Special Topics & Seminars
  • People
    • Faculty
    • Graduate Students
    • Administrative Staff
    • Board of Visitors
  • Galleries
    • Gallery 7
    • Art Lofts Gallery
    • Backspace Gallery
    • Gelsy Verna Project Space
    • Galleries Exhibition Schedule
    • UW-Madison Gallery Guide
    • Graduate Student Work
    • Undergraduate Student Work
  • Art at UW
    • Connect with Art
    • Colloquium
    • Student Organizations
    • Internships & Research
    • Local Arts
    • Division of the Arts
    • Public Art at UW-Madison
    • Campus Art Exchange
  • Giving
  • News & Events
    • Recent News
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    • Newsletter
Pandemic can’t keep UW–Madison’s Pinc from bringing MFA show to public

Pandemic can’t keep UW–Madison’s Pinc from bringing MFA show to public

Mar 31, 2020 | News

In an early March email promoting his upcoming master of fine arts (MFA) show, the magnitude of the exhibition to UW–Madison graduate student Guzzo Pinc was clear. “Of all the events I’ve put on over the past years this one means the most to me,” Pinc wrote to fellow...
Resonance with Evil: Displacement, Physicality, and the Uncanniness of Witchcraft: Cate Richards’s “Turnips, Like Skulls, Are Heaped House High” by Amber Rose Cederström

Resonance with Evil: Displacement, Physicality, and the Uncanniness of Witchcraft: Cate Richards’s “Turnips, Like Skulls, Are Heaped House High” by Amber Rose Cederström

Mar 29, 2020 | News

Scholars of historical witchcraft occasionally fall prey to a tendency towards dry recitation of reconstructed facts, interpreting them narrowly within the confines of their particular disciplines—whether history, folklore, sociology, and so on. Especially for...
Hogarth at Pitzhanger: Artist Faisal Abdu’Allah on cutting hair at new exhibition about life in London by Samuel Fishwick

Hogarth at Pitzhanger: Artist Faisal Abdu’Allah on cutting hair at new exhibition about life in London by Samuel Fishwick

Mar 18, 2020 | News

Ceci n’est pas un haircut. On the one hand, Faisal Abdu’Allah’s Live Salon is one of the best trims in town (also, free), and familiar territory: the barber’s chair, the unfurling of the cape, the snicker-snack of scissors. Yet in place of a reliable mirror to keep an...
UW–Madison School of Education No. 1 among public institutions in U.S. News rankings

UW–Madison School of Education No. 1 among public institutions in U.S. News rankings

Mar 17, 2020 | News

UW–Madison’s School of Education and several of its programs are once again ranked among the very best in the nation in the 2021 edition of U.S. News & World Report’s Best Graduate Schools rankings released Tuesday, March 17. UW-Madison is home to the No. 1-ranked...

CANCELED The Dangly Bits & Other Vulnerable Encounters: Master of Fine Arts Exhibition by Stacy Lynn Motte

Mar 13, 2020 | ArtsatUW, Events, MFA Exhibitions

All UW-Madison events are canceled until further notice due to COVID-19. Find out more at: covid19.wisc.edu
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  • Kalil Mitchell
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  • “Sheetla” bears the weight of familial history as tethered to cultural destruction by Grant Phipps

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Art Office
6241 Humanities Building
455 North Park Street
Madison, WI 53706

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111 North Frances Street
Madison, WI 53703

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  • Three School of Education faculty awarded 2025-26 UW–Madison research fellowships
  • Kalil Mitchell
  • The University of Wisconsin-Madison Art Department is hiring 2 Instructional Technicians!

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